by Scott YanowA major improvement on her debut (which found Nnenna Freelon overly influenced by Sarah Vaughan), the singer's second effort has many highpoints including outstanding versions of "'Tis Autumn," Duke Ellington's "Heritage" (a challenging and very personal song), "Prelude to a Kiss" and "Comes Love." Backed by a superior rhythm seciton and occasional horns, Freelon (even if this set bogs down a bit near the end due to too many ballads) is quite expressive, relaxed and consistently creative. This is a very impressive effort from one of the most promising jazz vocalists of the 1990s.